To avoid offending certain sensitivities, we warn that the site contains explicit content
To avoid offending certain sensitivities, we warn that the site contains explicit content
I do not feel diminished by creating commissioned works; on the contrary, collaborating with the client, combining our ideas, adapting the works to spaces and dimensions, and tackling and solving specific themes are often stimuli that enrich the work.
It is beautiful to work on the person, on the shapes of their body, on their inner self and psychology: to interpret them and reveal them in a psychological portrait or, instead, in an artistic nude photograph. For fine art photographs worthy of being displayed at home and shown with pride to guests.
Collaboration with private companies can provide the opportunity to tell the story of three generations of entrepreneurs by displaying it outdoors in the spaces and historic courtyard of the company.
The client can be an entity such as the Fondazione Campana dei Caduti for which I created the large work "Il mondo alla Campana" of over 10 square meters and a series of thematic discs for the Terrazza della Visione.
I fondly remember creating portraits of artisans to tell their stories as protagonists of city center life.
Or the intertwining, depicted in black and white photographic portraits, between specialized carpenters and architects and designers for interior furnishings.
Humanity is made up of light and dark, of lights and shadows. On this basis, my "Futurist Portraits of the Third Millennium" are born, formally inspired by the futurist photography of the last century but conceptually current. We all have aspects that are well-known and others that are obscure. Some parts of ourselves we recognize immediately, others with more difficulty. However, the portrait of humanity is unique, with its positive and negative aspects mixed together, in a "before" and an "after", in a past and a future fused together. These black and white portraits elegantly allow you to decorate a wall with photographs.
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